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An oil on canvas, Landscape and Still Life by Pierre THEVENET | Galerie Saint Martin Antiquités Paris

An oil on canvas, Landscape and Still Life by Pierre THEVENET

An oil on canvas, Landscape and Still Life by Pierre THEVENET

4.800,00 

Pierre Thévenet 1870–1937

was a Belgian Post-Impressionist painter who came from a family of artists; his father was a baritone, his sister an opera singer, and his younger brother the painter Louis Thévenet.
He initially pursued music and considered a career as a flutist before turning to painting around the turn of the 20th century.

Unlike many artists of his generation, Pierre Thévenet is largely self-taught and did not follow a formal academic curriculum at the Beaux-Arts.
This lack of formal training undoubtedly contributes to the spontaneity of his brushwork and the freedom of his color palette

Further information

Dimensions 48 × 68 cm

His early works reveal a sensibility reminiscent of Belgian Luminism and Post-Impressionism.
He then began associating with artists active in Brussels and developed a marked preference for atmospheric effects, vibrant colors, and landscapes bathed in light.
Around 1919, he moved to Paris, where he gained a more direct exposure to the Impressionist legacy. Montmartre, the banks of the Seine, and the Tuileries became his favorite subjects

Our double-sided painting is particularly noteworthy because it brings together two central themes from his repertoire: landscape and still life.

One side depicts a spring landscape; the fresh greens in the foreground, the reflections on the water, and the touches of lilac create a calm yet vibrant atmosphere, characteristic of his landscapes influenced by late Impressionism.

The other side features a still life of great chromatic intensity. The fruits—oranges, an apple, and walnuts—are arranged on a woven tablecloth or a light-colored rug, viewed from a slight high angle.
The composition is deliberately asymmetrical, lending a lively balance to the whole.
Here the texture becomes much thicker: the paint is applied in generous, almost sculpted impasto, reminiscent of certain Post-Impressionist and Fauvist experiments.