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Oil on panel, Southern Landscape by Paul COSTES | Galerie Saint Martin Antiquités Paris

Oil on panel, Southern Landscape by Paul COSTES

Oil on panel, Southern Landscape by Paul COSTES

Prix sur demande / prices on request

Paul Costes (1860–1941)

Paul Costes was born in 1860 and remained deeply attached to Toulouse and its region throughout his life. A contemporary of Achille Laugé and Henri Martin, he developed a distinctive style, far removed from the major artistic centers of Paris, drawing inspiration from the peaceful landscapes and ever-changing atmospheres of the Midi.

A painter of fading light and quiet moments, Paul Costes is distinguished by a particular sensitivity to the effects of twilight and the delicate nuances of the sky. His compositions reveal a poetic vision of nature, where landscapes become a reflection of inner emotion. His brushwork emphasizes subtle harmonies, muted tones, and the play of light, which lend his works an atmosphere of calm and meditation.

Further information

Dimensions 108 × 90 cm

Our painting perfectly illustrates Costes’mastery of the pointillist technique.
The composition is dominated by a row of trees on the left, painted with small, juxtaposed dots of blue and purple that capture the light and give depth to the trunks and foliage.

The ground and valleys are rendered as a mosaic of ochre, violet, and green hues, creating a visual rhythm that guides the eye toward the background, where the water and the horizon merge into light, airy strokes.
The sky, a very soft blue, contrasts with the ground, animated by thousands of subtle shades
. The chiaroscuro effects are suggested by the juxtaposition of light and dark dots, creating a vibrant and poetic atmosphere

His brushstrokes are looser, his rhythm more contemplative, and his color palette chosen to bring out the light and softness of the landscapes rather than to adhere to the strict scientific methodology adopted by other painters, such as Seurat, for example

His work can be seen as a form ofpoetic pointillism, where each brushstroke becomes a glimmer of light and an object of contemplation, making the viewer a silent witness to the beauty of the landscapes of the South.