Dated 1881, this interior elegantly evokes the world of scientific discoveries and optical innovations of the late 19th century.

At the center of the composition stands what appears to be a magic lantern, the famous projection device considered one of the precursors to the cinematograph.

Surrounding her are a clock or a regulator, along with several books and documents, creating a veritable study where science, technology, and knowledge converge.

The painter constructs his composition with a highly modern approach and geometric precision, creating a dialogue between the lines of the furniture and those of the wall decor.